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The grand heritage of Bangladesh is visible in many different places. We have listed some of Bangladesh’s most stunning treasures that fill the hearts of many Bangladeshis with pride and glory.

Parliament House

Jatiyo Sangsad Bhaban or National Parliament House, is the Parliament of Bangladesh, located on Sher-e-Bangla Nagar in the Bangladeshi capital of Dhaka. Designed by architect Louis Kahn, the complex is one of the largest legislative complexes in the world, comprising of 200 acres.

The building was featured prominently in the 2003 film My Architect, detailing the career and familial legacy of its architect, Louis Kahn. Louis Kahn designed the entire Jatiya Sangsad complex, which includes lawns, lake and residences for the Members of the Parliament (MPs). The architect’s key design philosophy was to represent Bangladeshi culture and heritage, while at the same time, optimizing the use of space. The exterior of the building is striking in its simplicity, with huge walls deeply recessed by porticoes and large openings of regular geometric shapes. The main building, which is at the center of the complex, is divided into three parts – the Main Plaza, South Plaza and Presidential Plaza. An artificial lake surrounds three sides of the main building of Jatiya Sangsad Bhaban, extending to the Members of Parliament hostel complex. This skillful use of water to portray the riverine beauty of Bangladesh adds to the aesthetic value of the site.

Ahsan Manzil

Ahsan Manzil was the official residential palace and seat of the Dhaka Nawab Family. This magnificent building is situated at Kumartuli along the banks of the Buriganga River in Dhaka, Bangladesh. The construction of this palace was started in 1859 and was completed in 1872. It was constructed in the Indo-Saracenic Revival architecture. It has been designated as a national museum.

Recognizing the historical and architectural importance of Ahsan Manzil, the government of Bangladesh took the initiative to renovate it. In 1985, Ahsan Manzil and its surroundings were acquired. After the completion of the renovation work in 1992 under the supervision of the Directorate of Public Works and Architecture, it was brought under the control of the Bangladesh National Museum (20 September 1992). A museum has been established there.

Sixty Dome Mosque

Deep in the south west, venture to Bagerhat to see the Shat Gombuj Masjid, or Sixty Dome Mosque; also a UNESCO World Heritage Site, it is the largest brick-built mosque in Bangladesh.

Built in the mid-15th century by saint-general Khan Jahan Ali, it was used by the Muslim community around the swampy Sundarbans. Interestingly, despite its name, this vast mosque boasts 77 domes, though if you count, it does have exactly 60 domes.

Kantajew Temple

Set amidst a gorgeous countryside, the vault-roofed rouge sandcastle of Kantanagar Temple, also known locally as Kantaji, is a stunning piece of religious artwork and is one of the most impressive Hindu monuments in Bangladesh.

Built in 1752 by Pran Nath, a renowned maharaja from Dinajpur, it is the country’s finest example of brick and terracotta style temple architecture. Its most remarkable feature, typical of mid-18th-century Hindu temples, is its superb surface decoration, with panels of sculpted terracotta plaques depicting both figurative and floral motifs.

National Martyrs’ Memorial

The National Martyrs’ Memorial situated at Savar, about 35 km north-west of Dhaka, symbolises the valour and sacrifice of the martyrs of the liberation war of Bangladesh.

A national competition was held for the design of the project in June 1978. Among the fifty-seven competitors Architect Syed Moinul Hossain’s design proposal was selected. The main monument is composed of seven isosceles triangular planes each varying in size in its height and base. The highest one has the smallest base while the broadest base has the lowest height. The whole complex is spread over an area of 84 acres which is again wrapped around by a green belt of 24.7 acres. Several mass-graves and a reflective water body are placed in front of the monument. Once one enters the complex through the main gate, he or she can see the monument axially but to reach it one has to walk through different ups and downs of pavements and cross an artificial lake by a bridge.

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